But the movie montage takes less than three minutes to show this part of his life! When the details are unimportant, a montage can show what’s happening over a long period of time. In the real world, it would probably take Tony “Scarface” Montana years to achieve success (including planning his wedding). In film, montages can accomplish a couple of things: 1. This narrated montage is accompanied by the sound of Bruce Wayne explaining and defending his past actions in discussion with another character, and is intercut with dramatic shots of the two characters sword fighting. The movie Batman Begins tells the story of Bruce Wayne’s transformation into Batman, and uses an extended montage to explain his criminal past. The close parallel between these two montages helps to accentuate the negative change in the character’s life. For example, the film juxtaposes two montages of the main character going about her daily life: in one, she is happy and the people around her are offering her help in the other, she is alone and depressed as she goes about all the same activities, shown in the same order. The 2013 film Enough Said contains a number of montages, and the relationships between them are as interesting and important as the montages themselves. The various shots include Tony Montana counting money, carrying bags of money and drugs, marrying his beautiful wife, and moving into a fabulously expensive new home. It was originally used in Scarface, in a montage that shows the young Cuban gangster just beginning to taste the success that will ultimately claim his soul. The song “Push it to the Limit” by Paul Engemann has been used in so many movie montages that the song itself has become a cliché. ![]() This technique is also frequently set to music, creating a “musical photo montage.” For example, a character’s whole life story could be told by showing a long succession of images, starting from baby photos and ending with a photo of the character as an old man. Instead of filmed shots, a montage can also be formed out of still images. An old cop, for example, might be telling the story of his first year on the force and how over-the-top his methods were as he tells the story, the viewer would see a montage of the officer stepping over the line with suspects in various situations. If the montage is not set to music, there might be a character narrating what’s going on. For example, a montage might show a young couple going through a series of increasingly intimate dates while a romantic song plays in the background. In a musical montage, the shots are accompanied by a song that somehow fits with the theme of what’s being shown. There are an infinite number of different types of montages, but three of the most common are: a. We can call this “literary montage.” However, the term usually refers to film rather than literature. Sometimes, people use the word “montage” more loosely to mean any collection of small, discrete elements in a story or poem. Without using any words, the filmmaker shows us that this inventor is working intensely on his latest project. ![]() This is usually used to advance the plot in some way without showing all the detail of what’s going on – for example, you might show a series of quick shots in which an inventor is scribbling at his desk, then poring over a book on the train, then staring intently at a computer screen. His collisions of shots were based on conflicts of scale, volume, rhythm, motion (speed, as well as direction of movement within the frame), as well as more conceptual values such as class.Montage is a filmmaking technique that uses a series of short images, collected together to tell a story or part of a story. This basis allowed him to argue that montage is inherently dialectical, thus it should be considered a demonstration of Marxism and Hegelian philosophy. Eisenstein's montage theories are based on the idea that montage originates in the "collision" between different shots in an illustration of the idea of thesis and antithesis. It is easiest to understand these as part of a spectrum where, at one end, the image content matters very little, while at the other it determines everything about the choices and combinations of the edited film. In addition, the "lower" types of montage are limited to the complexity of meaning which they can communicate, and as the montage rises in complexity, so will the meaning it is able to communicate (primal emotions to intellectual ideals). These varieties of montage build one upon the other so the "higher" forms also include the approaches of the "simpler" varieties. Eisenstein describes five methods of montage in his introductory essay "Word and Image".
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |